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    BMW’s iconic #BMW-Art-Cars have been setting hearts a-flutter since #1975 but your chances of actually owning one are pretty much zero. There is, however, little stopping you from building your own… Words: Daniel Bevis /// Photos: Patrik Karlsson / #BMW-Art-Car /

    Art Attack E9 and E21 resto-modded Art Car replicas

    The BMW Art Car series is something that’s been capturing the imagination of motoring enthusiasts for generations. It all began in 1975, when French racing driver Hervé Poulain commissioned American artist and friend Alexander Calder to paint the 3.0 CSL that he was to drive at Le Mans. Using bold primary colours, Calder transformed the already eye-catching form of the #Group-5 E9 into something that looked like it was rapidly swishing through the scenery even when it was sitting still. It turned out to be one of the last art pieces Calder produced before his death, and in the mid-seventies it was actually a pretty astonishing move to present a car to the world as a work of art; it was, as you might imagine, even more astonishing that the flawless museum piece was then entered in the Le Mans 24hr.

    The Calder Art Car sparked off a chain reaction that resonated through the decades. The following year, Frank Stella painted an E9 CSL; the year after that, Roy Lichtenstein had a go at a Group 5 E21, then it was Andy Warhol’s turn with an M1, with the snowballing project building momentum until it all came to a head with the recently unveiled John Baldessari M6 GTLM, the 18th official #Art-Cars Car .

    Now, there have been quite a lot of other BMWs to be decorated by artists in unusual ways over the years, but these core 18 are the official ones, the bona fide commissioned #Art-Cars . They haven’t all been race cars (David Hockney’s, for example, was an 850CSi and Matazo Kayama’s was an E34 535i), but they have all been devastatingly beautiful and incomparably desirable.

    To BMW’s endless credit, the collection isn’t kept safe and secure in a hermetically sealed and top-secret location – they get toured around the world from Goodwood to Pebble Beach and beyond, and the PR bods even took them on a sort of world tour in 2012 which included a brief but comprehensive exhibition in, er, a multistory car park in Shoreditch (which was very weird, but an utter joy to attend – BMW didn’t publicise it widely, so very few people turned up; those of us that did got to enjoy some rather special alone-time with these magnificent creations).

    But just having a little look-see at the occasional show was never going to be enough for Swedish retro race enthusiast Jonas Nilsson. He had a dream, an all-consuming aspiration, to possess an Art Car of his very own. But obviously BMW would never sell him one, they’re far too valuable, so he was left with just one option: to build his own tribute to these iconic slices of history.

    As you can see here, he got a bit carried away. He hasn’t built one Art Car, but two – and that’s just about pushing the very limits of awesomeness that our brains are able to cope with. So let’s try and piece it together in as logical a way as possible, without our minds dribbling out of our ears at the sheer magnificence of it all…

    “BMWs have been special to me ever since I was a little boy, and our neighbour came driving home in his brand-new E21,” Jonas recalls. “I’ve always thought that they have very nice car models and very good performance.” Yep, no arguments here. And that early infatuation clearly planted a seed, as things have gone a bit nuts in the intervening few decades.

    “The first #BMW I owned was an E36 318iS,” he continues. “It was white, with a subtle body kit – just right for a guy in his twenties.” It wasn’t, we must point out, all about the BMWs for Jonas though, as he’s also pretty keen on Opels. His first car was a Monza GSE, and over the years he’s built some fairly impressive modified examples including a twin-turbo Monza with nitrous and a ’caged, supercharged Kadett GSi on slicks. It’s this passion for brutal performance and race car thrills that ultimately informed what you’re seeing here, allied to that early passion for BMWs. It turned out to be the perfect recipe.

    “It had always been my dream to build an Art Car, so when the opportunity to do it came up, I had to take it,” he says, matter-of-factly. “The Roy Lichtenstein E21 tribute was the first one I built, and when that was finished I felt ready to tackle another one, so I attempted the Frank Stella E9, which was the one I’d really wanted to build all along.” Blimey. He makes this deranged behaviour all sound so normal, doesn’t he? What’s arguably most impressive is that Jonas built up everything you see here himself, as you can’t just nip to Halfords and pick up a Group 5 body kit for an E21. “All the bodywork is made in steel and cannot be bought, so I made it all by myself to a plan I had in my mind,” he explains, like some kind of automotive voodoo shaman.

    “To create these two Art Cars, I actually used four cars,” he goes on. “I took two cars and cut the body from the base, then I took one base and welded it together with the other body, and to make everything fit I had to adjust the length and trim the base car to make everything match up.”

    Looking inside either one should give you a bit of a giveaway as to what resides beneath their respective skins; the E21 is all E36 inside, while the sharknose E9 has an E34 M5 hiding down there. It’s all utterly bonkers, and phenomenally impressive that he’s made it work.

    “I found the E21 at a friend’s place,” says Jonas. “It was in okay condition, but the engine didn’t work.” And what better remedy for a misfiring first-gen 3 Series than to slice the body off, plonk it on to an E36 325i chassis, and bolt on some outrageous retro racer bodywork?

    You’ll spot that the E36’s M50 engine is nestled beneath that colourful bonnet, while the 1990s underpinnings have allowed a little flexibility in upgrading things, which is why you’ll find some serious D2 coilovers in the mix along with 19” wheels. On the whole, though, the spec is relatively mild when you look at just how extreme the E9 ended up becoming.

    “I found the E9 on a car sales website, almost in mint condition,” Jonas grins, plainly unconcerned about chopping the thing up. “Whereas the E21 took about a year to build, this one took more like 18 months as there was a lot more to do.” Part of the reason for this is that he opted to complement the forthright race car looks with some appropriate power in the form of an S38 engine from an E34 M5 (which is the donor car beneath, remember) to which he’s added a Rotrex C38-81 centrifugal supercharger. It’s an astonishingly quick machine, which is just what you would hope for when you look at its angry angles and pointy aero.

    “Every detail and measurement of both cars were made from a model in 1:18 scale, including the wrapping,” Jonas explains, again shrugging off an incredibly complex engineering endeavour as if it’s all in a day’s work, and reducing us to shimmering pools of jealousy in the process. “The Art Car livery is vinyl-wrapped though if money were no object then of course I would have them painted on! And there’s not a part of either car that hasn’t been taken out and perfected before being put back in. I try to do as much as I can by myself, because I love a good challenge!” Well, yes, evidently. The work here really does speak for itself, and while Jonas’ bread-and-butter lies in the mill industry, he hopes one day to transition into building cars like this for a living; a passion that’s currently being fuelled by his new project, a race-inspired, street-legal 635CSi. If all goes well, he could one day be commissioning famous artists to adorn his creations with their colourful daubings… but for now, this pair of Art Car tributes is a fabulous showcase of his skills. BMW may take the official ones out and about, but they don’t tear around in anger like Jonas’ do. As dream two-car garages go, this one really is a work of art.

    TECHNICAL DATA FILE BMW #Frank-Stella / #BMW-E9 / #Rotrex / #Rotrex-C38 / #BMW-E9-Frank-Stella / #BMW-E9-Art-Car / #BMW-E9-Art-Car-Replica /

    ENGINE AND TRANSMISSION 3.5-litre straight-six #S38B36 / #BMW-S38 / #S38 , #Rotrex-C38-81 centrifugal supercharger, chargecooler, race aluminium cooler with Evans waterless coolant, Nuke Blackline linear FPR, Nuke fuel rail, #Nuke-Blackline filter, #ECUMaster management, five-speed #Getrag-280 manual gearbox, Tilton racing clutch, modified cardan shaft, 40% locking diff, 2.87:1 final drive, 210 diff housing, forged CrMo driveshafts

    CHASSIS 10x19” (front) and 13x19” (rear) HRE 508 wheels with 265/30 (front) and 345/35 (rear) Michelin Pilot Super Sport tyres, E34 D2 coilovers, D2 Racing big brake kit with eight-pot calipers and 380mm discs (front) and six-pot calipers and 380mm discs (rear)

    EXTERIOR Custom handmade all-steel Group 5 bodywork, Frank Stella Art Car tribute livery

    INTERIOR E34 M5 dash, Cobra Misano Anniversary seats, custom-trimmed matching rear seats and doorcards


    TECHNICAL DATA FILE #Roy-Lichtenstein / #BMW-E21 / #BMW-E21-Roy-Lichtenstein / #BMW-E21-Art-Car / #BMW-E21-Art-Car-Replica / #BMW-Art-Car-Replica / #Art-Car-Replica

    ENGINE AND TRANSMISSION 2.5-litre straight-six #M50B25 / #BMW-M50 / #M50 , five-speed #Getrag manual gearbox

    CHASSIS 9.5x19” (front) and 11x19” (rear) #Rennsport wheels with 265/30 Hankook Ventus S1 Evo (front) and 325/30 Dunlop Sport Maxx Race (rear) tyres, E36 D2 coilovers, #Powerflex bushes

    EXTERIOR Custom handmade all-steel Group 5 bodywork, #Roy-Lichtenstein-Art-Car tribute livery

    INTERIOR E36 interior blended with original E21
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    Matt Zollo
    BMW ART CARS / #Frank-Stella : #BMW-3.0CSL / #BMW-E9 / #Kugelfischer-Injection-System / #Kugelfischer / #BMW-E9-Frank-Stella / #BMW-3.0CSL-E9 / / #Art-Cars / #BMW

    Never mind the fine artwork on the bodywork, underneath Stella’s geometric lines this #CSL packed a mighty turbocharged punch.

    The second of BMW’s Art Cars was another CSL and technically this machine was the brainchild of the then-head of #BMW-Motorsport , Jochen Neerpasch. It came about as a result of rule changes for the #1976 season which would have seen the factory works CSLs effectively detuned for the more stringent Group 2 regulations which demanded a return to smaller aerodynamic addenda, wet sump lubrication, and most crucially, a banning of four-valve cylinder heads unless they were used in series production. Neerpasch didn’t take this lying down and decided to strap a pair of turbochargers to the CSL’s engine and take on the dominant Porsche 935s in Group 5.

    In hindsight it might not have been the best idea as the car wasn’t desperately reliable and in the end only raced three times at #Silverstone , #Le-Mans and #Dijon . The Stella CSL used a 3.2-litre version of the twin-cam, four-valve-per-cylinder #M49 / #BMW-M49 unit to which Josef Schnitzer attached a brace of #KKK turbochargers and a Kugelfischer injection system. On the dyno it could crack 1000hp, but it was wound down to develop 750-800hp in race trim in a vain attempt to allow the rest of the car to cope with these monumental forces that it had never been designed to withstand. There was no doubting that it was quick… but on its first outing at Silverstone it lasted just 14 laps before needing a new set of boots that had been vapourised by the engine’s torque and by lap 43 it had retired with a melted transmission.

    At Silverstone the car didn’t yet sport Frank Stella’s geometric patterns but BMW had seen how much interest the Calder CSL had generated at Le Mans the previous year so it commissioned Stella to paint the car for the 1976 running of the endurance classic. With longer gearing for Le Mans the CSL was a monster, allegedly pulling 212mph on the Mulsanne straight – drivers Gregg and Redmond must have been absolute legends – and they managed to put it eighth on the grid. Sadly in the race the inevitable happened and it retired after 23 laps.

    Its last outing was at the last round of the World Makes Championship which was held at the small Dijon circuit in September 1976. By now the turbo CSL sported a reinforced differential, gearbox and halfshafts and was back in the hands of Peterson (who had driven it at Silverstone). In qualifying at least, things at last seemed to be going according to plan as he managed to hold back the phalanx of Porsche 935s to take the top spot on the grid.

    Peterson led from the start and once he’d pulled away from Jacky Ickx’s Martini 935 the boost was wound down until Ickx could maintain the same pace as the CSL but not catch it. However, even this approach didn’t work and on lap 33 the diff turned into a casing full of swarf! A glorious failure then… but just look at, obscenely bulging arches, huge wings and that fantastic livery – what’s not to like?
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